Pages

Showing posts with label gouache. Show all posts
Showing posts with label gouache. Show all posts

Sunday, February 15, 2015

Drawing a Day 20150215

Cupcake Again
Gouache and pencil on paper

Really enjoyed playing with that cupcake drawing the other day, but thought maybe I should be doing it in gouache because I was laying the colors on so thick. Thing is, I haven't done gouache in years. Some of my paint was 15 years old. I know the saying "It's a poor craftsman that blames his tools" and I'm not, but I was frustrated when some of my paints were rock hard. I'm having a hard time deciding whether I want to persue gouache more but it would be a bit of a financial investment because I can't use these paints as is. 

I did enjoy going in harshly with pencil at the end. It was empowering!

Wednesday, December 9, 2009

Starlight Mint

Here's a starlight mint I painted yesterday.

Monday, May 25, 2009

Study of a Dead Baby Bird

Note, these drawings are referred to in order, but the text about each one doesn't fit next to the image, so I have put a number next to the drawing I am referring to. Although the drawings aren't numbered, I trust my readers to understand that the first drawing on the page is 1, the second 2, and so forth.

Growing up, we had a charcoal drawing of a dead baby bird in our house. (The image to the left is not it. That's mine!) It was truly beautiful, once I learned to appreciate it for the art that it was and not for the rotting corpse. My father loved to quote the artist, his friend Steve Halford, and I in turn liked to quote my dad. When asked why he drew a dead baby bird, Steve answered, "Because a dead baby bird is a lot easier to draw than a live baby bird." True. But a dead baby bird isn't that easy, Steve, so I am quite impressed with the drawing.

Yesterday, Kevin called me outside to see a dead baby bird in the front lawn. I scooped the bird up onto a disposable plastic plate and I promise I too would try my hand at my own drawings.

I did one yesterday and three today. I don't love the drawings, but I loved the exercise, and I never before got to appreciate the beauty and the delicacy of our feathered friends in such intimacy before.

Additionally, I loved the excuse to spend the day in the warm sunshine -- what a perfect day! (Drawing a dead animal certainly is an outside activity.)

Yesterday's drawing was simply pencil (1). After giving it some breathing room, I like it better than I remembered.

Today I stared off with a watercolor sketch (2) which frustrated me so I stopped. Looking back, I like the simplicity, lightness and unfinished nature of it.

Then I went to focus on a gouache drawing on a collage page (3) -- I started this piece when grandpa passed away in March. I collaged some pages from an old book full of synonyms. I found a bunch that described grandpa: merchant, soldier, and man. I found it to be the perfect base for the drawing, because in the last months of his life, I saw him as delicate as a baby bird. I am frustrated though because I don't like the drawing at all. The image became too colorful and too muddled. The gouache wasn't even adhering to the area where the head was. You can't see it because I scribbled over it in graphite -- while covering up my frustration, I think I was also trying to demonstrate the dark empty space grandpa left in all of us.

Finally, I did a simple pen and ink and then filled the background in deep red gouache (4) which I am not loving, but I don't hate it either. I love how the red really makes the little bird pop off the page.

I am wondering how I can take this gorgeous creature and maybe turn it into a silk screen. Or is it too delicate for such a bold medium. Maybe it would work for just that reason.

This little bird had a short life, but I like to think that I immortalized it in some way.

My little friend is starting to smell and attract flies (but a citronella candle works wonders for the later) so I think tomorrow will be our last day together. I don't know though. If the smell gets much worse, these might be the final drawings.

Monday, May 4, 2009

More Fruit, Still Going Bananas

I'm just stuck in this awful rut. I don't know what I want to make, what I should make, what I need to make. I just finished Art & Fear: Observations on the Perils (and Rewards) of Artmaking by David Bayles and Ted Orland, but since it's been such a long time since I read the beginning, I think now I should go back to read that.

Anyway, the banana made me so happy I thought I should continue to pursue fruit, but clearly I am not sure if that was the answer either.

I think that if I decide these aren't working, I will just sand them away and use the surfaces for something else. I will sit on them for a while, but once I run out of my collaged surfaces, they might be the first to go.

Sorry this post is so blah -- I am just in this fantastic rut. A fabulous teacher reminded me of something I said about D.H. Lawrence's The Rocking Horse Winner and thought it might apply to my art, but since I don't remember the story, I think I will go back and read that and hope for a miracle!

I promise someday I will be out of this rut. Today I threatened to quit as an artist. But that's not what I want the answer to be either. I think most of it is trust and facing the fear.

Oh, about the art, like the banana, each are 4"x6" (or 6"x4"...you know what I mean) and done in gouache on on collaged surface. The apple core was done today, the kiwi on Thursday.

Wednesday, April 29, 2009

Going Bananas!

This was a good drawing to do today since Ernie was driving me bananas! I do love you Ernie, but you can be quite a pain in the neck sometimes.

The image is 6"x4" gouache on collaged panel. Told you, I am loving the gouache.

Friday, April 24, 2009

Tiny Pieces

Yesterday was a very productive day at the studio. I put all my anxieties aside and just created. I worked on some sketches of Ernie, and one of my face (being an artist makes you quite vain in a way, because the best and easiest model you have is yourself in the mirror)...

I also made two tiny pieces...Spray Bottle is 3x5" on a piece of board that has been collaged and sanded. The image is watercolor, gouache, pencil, and ink.

Screen Filler is about 5.5" square on a piece of wood. It's done in ink and gouache. Yes, I just rediscovered my water based paints and I am loving them.

I think I am going to start working on a series of containers. I seem to have this obsession. I don't know why.